By Abrian De Luna

“The Zoo,” a new documentary series in the opening sequence of every episode, from Animal Planet that debuted in “If you ask a child to draw picture of a February, uncovers what goes on behind zoo, chances are they’re going to draw the scenes at the Bronx Zoo. It attempts an animal behind bars. We gotta take to enlarge audiences’ views of both the that image and change it.”

“The Zoo” does this partly by detailing from Times Square, has 6000 animals what the general public does not see and 530 employees---and its borough. As happening behind closed doors. For Bronx Zoo Director Jim Breheny puts it, example, in the first episode, a silverback gorilla named Ntondo is responding to target training more slowly than usual, indicating something is wrong. It turns out that Ntondo had glaucoma, which increases pressure in the eyes, damaging them and causing vision loss. Ntondo needed laser eye surgery, which Breheny said was something that the staff had never done before. This was the first documented case of a gorilla suffering from glaucoma. Viewers get to see Ntondo being prepped, the operation itself, and how it succeeded in preventing his vision from deteriorating further.

The series also does an endearing job of showcasing the staff’s passion for the animals. In the second episode, Melanie Lumba, zookeeper of the children’s zoo, introduces her favorite animal, Mert, as “the best goose in the whole world.” We see the two walk around the zoo together, with Lumba opening doors and clearing paths for him. She even has full-on conversations with him, and when Mert has to be sent to an animal hospital for a check-up, we see Melanie is genuinely concerned for him as if he was her own child.

The staff often looks heroic as they help animals in need. In the third episode, when a western diamondback rattlesnake needs oral medication to treat an infection, Bill Orrico, senior reptile and amphibian keeper, moves the snake into a bucket and then puts its head into a tube. He mentions this is the most dangerous part because it puts his hand in danger of being bitten by the rattlesnake, which then has to open its mouth so that a catheter is inserted deep enough into its throat to administer the medication. Naturally, the rattlesnake is agitated, so the danger of being bitten is very real. Orrico admits this is stressful for him and the staff, but he has to make sure the rattlesnake gets its medication.

“The Zoo” also provides viewers a chance to learn about obscure animals such as maleos, an endangered bird species from Indonesia. They can make vocalizations which Alana O’Sullivan, senior keeper of the ornithology department which studies birds, said “don’t even sound like they’re from this planet.” Viewers are then treated to see the courtship rituals maleos undertake, consisting of the birds sharing peanuts, which O’Sullivan describes as “maleo crack.” However, the series could do better at giving viewers more context and basic information about the animals, such as noting how many maleos remain in Indonesia and how many the Bronx Zoo has, in order to really sell the conservation mission as well as explaining how its work applies to the study of birds.

Overall, “The Zoo” is a great documentary series that is easy to get into. It shows that the Bronx Zoo is not only a place to display animals that the public would normally never see, but also a haven for endangered and unique animals. This focus on rare animals make each episode stand out from a typical zoo visit, and does a fine job of shining a spotlight on what makes the Bronx Zoo special.

New episodes of “The Zoo” air on Saturdays on Animal Planet.